Digital Archives Initiative
ICH - Central Newfoundland
 
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181. Pile of fish heads on the floor of Dan Greene's stage, Tilting Pile of fish heads on the floor of Dan Greene's stage, Tilting Objects; Knowledge of the land/water and environment; Work Fish heads on the floor beside the splitting table in Dan Greene's stage.

182. Piano and other artifacts in the living room of the Brett house, Joe Batt's Arm Piano and other artifacts in the living room of the Brett house, Joe Batt's Arm Objects Piano, pictures, an upholstered armchair and other artifacts in the living room of the Brett house.

183. Pew, St. Anne's Church, Little Fogo Island Pew, St. Anne's Church, Little Fogo Island Objects; Supernatural belief One of the individual kneelers that serve as pews in St. Anne's Church.

184. Peter Emberley's wood pile, Little Fogo Island Peter Emberley's wood pile, Little Fogo Island Objects Peter Emberley's wood pile for use in his cabin.

185. Peter Emberley's stage, looking up at the floor, Little Fogo Island Peter Emberley's stage, looking up at the floor, Little Fogo Island Objects Peter Emberley's stage seen from below. The support beams, which narrow at the top, are clearly visible.

186. Peter Emberley's stage with people disembarking, Little Fogo Island Peter Emberley's stage with people disembarking, Little Fogo Island Knowledge of the land/water and environment; Objects Peter Emberley's stage with people disembarking from tied up boats. It is low tide and the stilt structure of the stage is visible. Since the coast of Little Fogo Island is mainly small cliffs, the stages and stores are built on stilts to keep them level on the steep shore.

187. Peter Emberley's stage from outside showing the clapboards, Little Fogo Island Peter Emberley's stage from outside showing the clapboards, Little Fogo Island Objects View of the clapboards on the side of Peter Emberly's stage, with a group of people in the background.

188. Peter Emberley's stage and its supports, Little Fogo Island Peter Emberley's stage and its supports, Little Fogo Island Objects; Knowledge of the land/water and environment View of the poles/stilts supporting the stage on the rocks above the water at low tide. Since the coast of Little Fogo Island is mainly small cliffs, the stages and stores are built on stilts to keep them level on the steep shore.

189. Peter Emberley's shed, Little Fogo Island Peter Emberley's shed, Little Fogo Island Objects Peter Emberley's shed on Little Fogo Island with his cabin in the background.

190. Peter Emberley's hand flakes, Little Fogo Island Peter Emberley's hand flakes, Little Fogo Island Objects; Knowledge of the land/water and environment; Work Hand or small "flakes" (platforms built on poles made for drying salt cod), near the shore with a stage, store and cabin in the background.

191. Peter Emberley's cabin, Little Fogo Island Peter Emberley's cabin, Little Fogo Island Objects View of Peter Emberley's cabin with a picnic table on the porch and clothesline. Peter is on the porch and Christopher Peters in the foreground.

192. Peter Emberley's cabin rafters, Little Fogo Island Peter Emberley's cabin rafters, Little Fogo Island Objects Detail of the rafters and roof in Peter Emberley's cabin.

193. Peter Emberley's accordion, Little Fogo Island Peter Emberley's accordion, Little Fogo Island Music and song; Objects Peter Emberley's accordion, shown on the bed with floral wallpaper background in the bedroom of his cabin on Little Fogo Island.

194. Peter Emberley near the doorway of his stage, Wadham's Harbour, Little Fogo Island Peter Emberley near the doorway of his stage, Wadham's Harbour, Little Fogo Island Objects Coming into Wadham's Harbour, view of Peter Emberley seated near the open doorway of his stage. The stores are built high up as the shoreline is steep. Another man stands on the hill in the background.

195. Peter Decker's store, Joe Batt's Arm Peter Decker's store, Joe Batt's Arm Objects Peter Decker's store, Joe Batt's Arm. Cribbies, made of criss-crossed longers, clearly visible here, make a place for rocks to act as ballast, then the store is built on top of this structure.

196. Peter Decker's stage, Joe Batt's Arm Peter Decker's stage, Joe Batt's Arm Objects Peter Decker's store, seen from the water below

197. Peter Decker's stage, Joe Batt's Arm Peter Decker's stage, Joe Batt's Arm Objects View of the underside of Peter Decker's fishing stage, showing the "longers".

198. Pete Emberley's yard, Joe Batt's Arm Pete Emberley's yard, Joe Batt's Arm Work; Objects Array of tools laid out on a large rock near Pete Emberley's house.

199. Pentons, with guns raised and prepared to shoot, in celebration of a family wedding, Joe Batt's Arm Pentons, with guns raised and prepared to shoot, in celebration of a family wedding, Joe Batt's Arm Social beliefs, practices and customs On the south side of Joe Batt's Arm, Jamie Penton (Corner Brook), John Osmond (Joe Batt's Arm), Norman Penton (Vancouver, B.C.), Walter Penton (Joe Batt's Arm) and Ferg Penton (Joe Batt's Arm) prepare to shoot off their guns for a cousins wedding; Tina Coffin and Steve Penton are the newlyweds. This is a common practice on Fogo Island.

200. Pentons shooting off guns for a family wedding, Joe Batt's Arm Pentons shooting off guns for a family wedding, Joe Batt's Arm Objects; Social beliefs, practices and customs On the south side of Joe Batt's Arm, Jamie Penton (Corner Brook), John Osmond (Joe Batt's Arm), Norman Penton (Vancouver, B.C.), Walter Penton (Joe Batt's Arm) and Ferg Penton (Joe Batt's Arm) shoot off their guns in celebration of a cousin's wedding; cars pass by on the road with honking horns. Tina Coffin and Steve Penton are the newlyweds. This is a common practice on Fogo Island.
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