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ICH - Central Newfoundland
 
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41. Two boats tied to the McGrath's stage, Tilting Two boats tied to the McGrath's stage, Tilting Objects; Knowledge of the land/water and environment; Work Boats tied to the state belonging to the McGrath family, as seen from the inside looking through the stage doorway.

42. Two boats tied off Dan Green's stage, Tilting Two boats tied off Dan Green's stage, Tilting Knowledge of the land/water and environment; Objects; Work Two boats moored off Dan Greene's stage, as seen from inside through the stage doorway.

43. Two barrels in Leslie Coles' stage, Deep Bay Two barrels in Leslie Coles' stage, Deep Bay Knowledge of the land/water and environment; Objects; Work Barrels used for washing fish during the salting process.

44. Trunk hole for fish offal (guts) in Leslie Coles' stage, Deep Bay Trunk hole for fish offal (guts) in Leslie Coles' stage, Deep Bay Fishing equipment; Floors; Trunk hole or opening with trapdoor in the floor of Leslie Coles' fishing stage through which fish offal and waste are thrown into the water below.

45. Triangular box with empty containers in Len Brown's store, Joe Batt's Arm Triangular box with empty containers in Len Brown's store, Joe Batt's Arm Knowledge of the land/water and environment; Objects; Work A triangular box with plastic containers in it, in Len Brown's store.

46. Travelling in Ben Decker's speed boat from Pete Decker's stage in Joe Batt's Arm to Little Fogo Island Travelling in Ben Decker's speed boat from Pete Decker's stage in Joe Batt's Arm to Little Fogo Island Knowledge of the land/water and environment Ben Decker drives his boat over open water to Little Fogo Island for the annual Roman Catholic Mass at St. Anne's Church. Another speed boat is in the background. The community of Little Fogo Island was resettled during the 1960s but the church is still maintained, with a number of houses which now serve as cabins.

47. Trap skiffs and houses, Deep Bay Trap skiffs and houses, Deep Bay Knowledge of the land/water and environment; Objects; Work Two trap skiffs moored at Deep Bay, with fishing stages and houses in the background.

48. Trap skiff, preparing for launch, Seldom-Come-By Trap skiff, preparing for launch, Seldom-Come-By Knowledge of the land/water and environment; Objects; Work Trap skiff built by Ed Combden being taken out of the garage, in preparation for launching.

49. Trap skiff with iceberg: Lillian Dwyer's hooked rugs, Tilting Trap skiff with iceberg: Lillian Dwyer's hooked rugs, Tilting Objects Hooked rug with the image of a trap skiff at sea and an iceberg.

50. Trap skiff in the water seen through the door of Frank Waterman's stage, Deep Bay Trap skiff in the water seen through the door of Frank Waterman's stage, Deep Bay Knowledge of the land/water and environment; Objects; Work View out the door of Frank Waterman's stage, with a trap skiff in the water.

51. Trap skiff in the harbour, Deep Bay Trap skiff in the harbour, Deep Bay Knowledge of the land/water and environment; Objects; Work Trap skiff in Deep Bay harbour with a passing motor boat in the background.

52. Trap skiff going by Brooks Point, Little Fogo Island Trap skiff going by Brooks Point, Little Fogo Island Knowledge of the land/water and environment A trap skiff with a "make or break" engine hauling a punt out to Little Fogo Island for Mass. Brooks Point is in the back ground. David Torraville talks to Benny Decker about the trip.

53. Trap skiff being moved out of the garage, Seldom-Come-By Trap skiff being moved out of the garage, Seldom-Come-By Knowledge of the land/water and environment; Objects; Work Trap skiff built by Melvin Combden being moved out of the garage.

54. Tools in Peter Emberley's shed: Pete Emberley's store, Little Fogo Island Tools in Peter Emberley's shed: Pete Emberley's store, Little Fogo Island Objects; Work Large assortment of tools hanging on the wall in Peter Emberley's shed.

55. Toilet seat in John Brown's stage, Joe Batt's Arm Toilet seat in John Brown's stage, Joe Batt's Arm Objects; Work; A toilet seat in John Brown's stage.

56. Tin ceiling in the Brett House, Joe Batt's Arm Tin ceiling in the Brett House, Joe Batt's Arm Objects The tin ceiling, painted white, of the Brett House.

57. Tilting Come Home Year rug: Lillian Dwyer's hooked rugs, Tilting Tilting Come Home Year rug: Lillian Dwyer's hooked rugs, Tilting Objects Lillian Dwyer's rug for the Tilting Come Home Year 2007, featuring the Gaelic greeting "Cead Mile Failte" ("One Hundred Thousand Welcomes"). One of the stages in Tilting is depicted. Tilting's population includes many people of Irish descent, so Irish symbolism is present in the town in many forms, including the shamrocks in the border design of this rug.

58. Three men in a boat leaving the harbour, Deep Bay Three men in a boat leaving the harbour, Deep Bay Knowledge of the land/water and environment; Objects; Work Three men in a boat leaving Deep Bay harbour.

59. The violin: accordion playing with Melvin Combden, Seldom-Come-By The violin: accordion playing with Melvin Combden, Seldom-Come-By Music and song Melvin Combden always wanted to play the violin but never had the opportunity to learn.

60. The underside of Peter Emberley's stage, Little Fogo Island The underside of Peter Emberley's stage, Little Fogo Island Objects; Knowledge of the land/water and environment View of the underside of Peter Emberley's stage showing the supports on the rocks. Since the coast of Little Fogo Island is mainly small cliffs, the stages and stores are built on stilts to keep them level on the steep shore.
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